The Video Game Critic's
Atari 2600 Reviews T

This bare-bones shooter "borrows" elements from so many other Atari 2600 games that I almost lost count. First of all, your ship looks like a tank from Worm War I. The shooting style is 100% Gorf, where you can move around freely and abort any shot by just firing again. The first wave of "aliens" is very bird-like. They might remind you of Phoenix or Demon Attack, if only they didn't look so BAD. These single-colored, chunky graphics are a mess! Subsequent rounds feature other uninteresting aliens, like circles that move in their own distinct patterns. That's when I finally realized this was just a really bad version of Megamania. If Threshold does one thing well, it makes you realize how much better these other games really are. © Copyright 2001 The Video Game Critic.

Thrust is a far cry from the simplistic shooters so common on the 2600, and it's actually a conversion of an old Commodore 64 game. In addition to providing some great arcade-style shooting action, Thrust also has surprising depth. Like Gravitar, you guide a triangle-shaped ship through winding underground caverns, destroying cannons and picking up fuel. Shooting nuclear reactors will temporarily disable the cannons, but too much damage can cause a meltdown. In later stages, there are switches on the walls that open new areas. Controlling your ship takes skill, because you must constantly thrust to counteract the effects of gravity. Pushing the joystick up thrusts, and pulling back activates a protective shield. Your ultimate goal is to pick up a pod at the bottom of each cavern and transport it out safely. When you finally locate it, the real challenge begins! It attaches to your ship via a cord, and swings precariously as you attempt to transport it through the narrow caverns without smashing it against a wall. It's a balancing act that requires excellent technique, and completing each mission is very satisfying. The crude graphics are large and blocky, but the animation is smooth and the control is flawless. The 24-level challenge is immense but rarely frustrating. There are even five levels of difficulty. Don't miss the best game to come along for the 2600 in a long time! © Copyright 2001 The Video Game Critic.

Here's a marginal game with blocky graphics and dull colors. You control a tank on the bottom of the screen that eats away at dirt in a Dig-Dug-like fashion. Two tanks pursue you as you clear away the dirt between you and your targets. The main problem with Thunderground is that it takes too long before the challenge kicks in. The enemy tanks initially move like snails, and their shots aren't much faster. You can methodically shoot your way through the first few rounds with little resistance. Occasionally you uncover a pixilated object in the dirt that's worth extra points. It's not until around stage nine that things start to get interesting, and you might have to start taking some evasive maneuvers. But you shouldn't have to play through eight rounds to get to the fun! © Copyright 2002 The Video Game Critic.

This rendition of the popular arcade game is fair but lacks a few key elements from the original game. Time Pilot is a fly-anywhere shooter where you to shoot down aircraft from various historical periods. The stages begin with biplanes from World War I and progress all the way to flying saucers in the year 2001 (man, they were way off!). The arcade version was known for its rapid-fire shooting action, but in this version you can only fire two slow shots at a time. The "boss" aircraft only requires one hit to destroy, and there are no bonus paratroopers to rescue. Still, the graphics aren't half bad (especially the helicopters in the 1970 stage), and the game is challenging enough. Fans of the arcade game will be understandably disappointed, but those who take the game for what it is might enjoy it. © Copyright 2003 The Video Game Critic.

Title Match is a good looking wresting game, but its gameplay is badly outdated. With four distinct wrestlers to select from, you can play against the CPU or another player. Moreover, the matches can be tag team or one-on-one. The number of moves is impressive, and can be chained together to perform everything from elbow drops to body slams to airplane spins. Heck, you can even dive from the ropes! Unfortunately, once you start actually playing the game, the carefully-designed control scheme goes out the window. The computer opponent is impossible to defeat, and he'll have you pinned in a heartbeat. On the other hand, when playing against a friend it's extremely hard to pin him, and the bouts go on long after the wrestlers have exhausted their strength. Still, I did have a good laugh watching the stiff-looking fighters toss each other around the ring. Title Match is an ambitious game, but it's not very fun to play. © Copyright 2002 The Video Game Critic.

Here's a game so rare I couldn't even find any instructions on-line! Fortunately Tomarc wasn't very hard to figure out. The game has one unique feature, and that is the ability to switch between two characters by pulling back on the joystick. These characters include a barbarian and a caged woman; you'll need to maintain both their health level. Mainly, you control the barbarian, searching for a magic sword (or is it a key?) to free the girl. Jumping between contiguous screens, you must avoid rats that scamper over the floors. This brings up a host of issues. First off, the stiff jumping controls are dreadful. Trying to jump through the narrow holes in the walls (and ceilings) is a royal pain, and your barbarian often pauses for no apparent reason (aside from poor programming of course). Why is a muscular barbarian afraid of a few puny rats anyway? Periodically a warning buzzer indicates that a bat is approaching the girl. Fortunately, she's armed (with what, I don't know) and switching to her screen lets you shoot down that nasty thing. Once Tomarc secures the sword (key, whatever) he just needs to reach her screen to automatically free her and rack up bonus points. I like the dual-character idea, but Tomarc the Barbarian's lack of polish prevents it from being anything special. © Copyright 2005 The Video Game Critic.

For 2600 fans looking for something more substantial, I'd recommend this incredibly realistic jet fighter simulator. With its sophisticated gameplay and intense air combat action, Tomcat is a very unusual but impressive effort. Technically, Tomcat gets the most out of the system. You begin on an aircraft carrier platform, with a deck officer prompting you to throttle your engine. After launch, you immediately need to pull up on the joystick to avoid crashing into the water. Once you attain an altitude of 5000 feet, the combat portion of the game begins. Your plane is equipped with machine guns and three types of missiles. You'll not only need to jockey for position with the bogeys, but also shake off guided missiles. Your cockpit is loaded with indicators and displays to monitor enemy fighters, weapons, fuel, wing position, and flight paths. The visuals are superb. Enemy bogeys scale nicely into view, you can see ripples in the water below, and the sky color cycles from blue to red to black as day turns to night. If you run low on fuel or supplies, you can execute a landing sequence back on the carrier. I have to warn you - there's a serious learning curve required to play, but Tomcat is undoubtedly the most realistic game I've ever played on my 2600. My only complaint is the clumsy control scheme, which uses one joystick, the select switch, and reset switch to cycle through displays and options. I think Absolute could have simplified things by utilizing the difficulty and black/white switches, and maybe a second joystick. Still, Tomcat F14 is too good to be ruined by clumsy controls. © Copyright 2002 The Video Game Critic.

Although more playable than Imagic's Firefighter, Towering Inferno suffers from poor graphics. Each stage begins with a helicopter flying from the top of a building. Initially, the building is completely engulfed in flames, but the fire disappears as you gradually conquer each floor. Each level is a blocky maze full of flickering W's that you extinguish with your endless water supply. Your goal is to reach the white "door" at the top of the screen, and then escape out the bottom. That takes you back to the building screen, where the helicopter lands and "releases" the rescued people. Actually, it looks more like the helicopter is shooting blocks. In general, the graphics really suck. Your firefighter looks like a static blob and the blocky stages look like crap. The jumping, flickering flames look more like a graphical glitch, but at least they tend to be unpredictable. Your water cannon looks more like a trickle with three blue dots! Control is good, and dousing the flames is fairly satisfying. The best aspect of Towering Inferno is how it encourages you to take chances. Should you extinguish those last few flames, or just try to dart across the room? Aggressive play is rewarded with more points, but can also get you burned (pun intended). When you complete a whole building, all you're treated to is a simple flashing screen - weak! In terms of difficulty, Towering Inferno is on the easy side. It's a sloppy game but definitely unique. © Copyright 2003 The Video Game Critic.

It's amazing what programmers can do with the Atari 2600 nowadays. Toyshop Trouble is not only a technical marvel, but it exudes holiday cheer! The originality and creativity of this game is remarkable. I play hundreds of video games every year, yet I can't recall ever having played anything quite like this! Toyshop's main screen consists of five conveyer belts of moving toys with pots of paint lining both sides of the screen. The idea is to paint the all the toys their proper color before a timer expires. Each day in December offers a new "wave", often adding a new variety of toy into the mix. A nice intermission screen explains how newly introduced toys are to be painted. Some can be painted a solid color, but most require multiple colors, and sometimes the order in which you apply the colors makes a difference! Quick thinking and good technique is required to paint the toys in the most efficient manner. The controls are excellent, and the fire button allows you to dash - a move that's often handy but sometimes risky. Toyshop Trouble is outrageously fun to play, but it's the toys themselves that steal the show. Not only are there the obligatory fire trucks, trumpets, and trains, but also more modern toys like Tonka Trucks, Godzilla figures, Lincoln Logs, and even AT-AT Walkers from Star Wars! And when I saw those beautiful Atari 2600 joysticks, I couldn't believe my eyes. The multi-colored toys are artistically rendered in a high resolution, and Toyshop's audio features authentic choo-choo whistles and melodic holiday music. Completing the entire month of December poses a serious challenge, and as icing on the cake, there's even an Easter Egg buried in the game. The only thing missing is a two-player co-op mode! With so few holiday-themed games available, Toyshop Trouble is like a Christmas miracle! © Copyright 2007 The Video Game Critic.

As the only pool game that I know of for the Atari 2600, this is actually very entertaining. The graphics are blocky but functional. A rack only has three balls, but the physics is surprisingly realistic. Not only can you control the power of the shot, but you can even add "English" (spin). To aim, you move a little dot around your ball. You only have a limited number of angles, but you can use the English to compensate. There are several modes of play including trick shot mode, pool, practice, and English billiards. The trick shot mode keeps score, so it's good for solo play. The pool mode is good for two-player competition, and the English billiards is a more complicated variation. Trick Shot is a winner all the way. © Copyright 1999 The Video Game Critic.

Obviously inspired by the movie Tron, Deadly Discs puts you in a wide-open room pursued by three disc-hurling warriors. You can throw your own disc at these guys to kill them, but they constantly regenerate. Once you aim and throw, you can either "call" your disc back by pressing the fire button or wait for it to bounce off a wall. I was really digging the controls until I realized the disc is NOT harmful to enemies on its return trip! I have no idea what the developers had in mind, but I think they missed a golden opportunity. Your character can also enter openings on one side of the room and emerge on the other, but I never found this to be useful or necessary. You can sustain several hits before your game comes to an end. I find it odd how enemy discs are deadly to the touch, and yet you can run clear through the enemies themselves and suffer no damage! Unlike the Intellivision version, this version of Tron Deadly Discs features smooth graphics and comfortable controls. Unfortunately, one major element - the large, menacing boss - has been completely omitted from this version. As a result, this edition feels second-rate. In addition, an astute reader noted that it takes far too long for the serious challenge to kick in. With no variety in the stages, Deadly Disc's gameplay quickly becomes monotonous. © Copyright 2004 The Video Game Critic.

Although technically impressive, Tunnel Runner's simplistic gameplay won't win over many gamers. Older games that rely on fancy 3D effects don't tend to age well. Like a first-person Pac-man, Tunnel Runner's challenge is to escape from a maze while avoiding wandering heads with huge fangs. The illusion of movement is smooth and convincing, and navigating hallways is surprisingly quick and easy. The "heads" are impressively large and scale nicely. Sound cues indicate when they are approaching, which adds a bit of suspense. Unfortunately, having to constantly check your position on the map screen (by holding the button) is a real chore. The first few four stages are easy, but once you reach the "blind" mazes, the difficulty goes through the roof. Tunnel Runner may have gotten by on sheer novelty value in 1983, but in retrospect, its shallow gameplay is not very fun. © Copyright 2004 The Video Game Critic.

Here's a game few people have heard about, but those who have will tell you it's one of the best games for the system. I would describe Turmoil as a 2D Tempest. Your ship moves up and down in the center of the screen between seven rows, and can shoot left or right. A variety of colorful aliens move across these rows, trying to ram your ship. Fortunately, you have rapid-fire capability, and you can flood the rows with missiles. Some enemies however, like tanks, are invincible and must be avoided altogether. One particular type of alien sits and waits at the end of a row, and if you nab it before it starts moving, you'll score big points. With nine skill levels, Turmoil is a well-designed game that requires quick thinking to keep up with its frantic action. © Copyright 2000 The Video Game Critic.

When you consider how great Tutankham for the Colecovision is, this sloppy translation can only be described as wretched. The game challenges you to survive four dungeon mazes while gathering treasures and exterminating wandering monsters. Judging from looks alone, Parker Bros put their most junior programmer to work on this project. Apparently their best programmers were too busy working on that cool James Bond "train shootout" game that was never released but looked freakin' amazing in their catalog! Tutankham's graphics feature dozens of monsters and treasures, but they're so puny that it's hard to discern what they're supposed to be! The snakes and scorpions look okay, but that triangle is supposed to be a Jackal? Uh-huh. Your explorer is a static stick figure, and he's a nightmare to control. Not only are your movements jerky, but you can't move diagonally, and you're constantly getting caught up on the poorly-defined passageways. If it makes you feel any better, the creatures often get stuck as well! Other versions of Tutankham are side-scrolling, but this one is vertical. That's a pretty big deal considering you can only fire sideways! When shot, creatures briefly transform into an asterisk, and it looks awful. Poor collision detection is also a factor, so apply those smart bombs liberally! I find it amusing how the first dungeon's "treasure" is "MAP" - yes, the word "MAP". That is the definition of lame! The sparse audio mainly consists of alternating beeps. Tutankham for the 2600 is an embarrassment compared to other versions, and King Tut would be spinning in his sarcophagus if he ever found out his name had been slapped onto this choppy mess! © Copyright 2008 The Video Game Critic.