The Video Game Critic's
Wii Reviews M-R

What Power Pros lacks in realism it makes up for in pure entertainment value, putting many "realistic" baseball games to shame. MLB Power Pros 2008 features short cartoon characters, not unlike "Miis", or those squat players in old NES baseball titles. During one game my player was taken out due to a knee injury, and I was like, "Wait a minute, these guys don't even have knees!" You can expect a lot of comical animations, like when a batter glares back at the ump after a called third strike. It also looks funny when all the fielder's heads look straight up during a pop-up. Power Pros 2008 is almost exactly the same as last year's MLB Power Pros for the Playstation 2, and that's disappointing. Motion controls are only used in the home run derby mode, and even then, the control is minimal. Still, I will admit that the basic controls are very intuitive. You can pitch a ball or swing a bat with a single press of a button, and pressing the directional pad throws to the appropriate base. Best of all, the games move along at a blistering pace with minimal pauses between pitches, few fouls balls, and no discernable load times once the game begins. That's great, but there are some problems. First of all, pitchers tend to give up way too many runs in the first inning before settling down in the second. The fielders move extremely slowly, minimizing the possibility of a great defensive play. Two very excitable announcers rant and rave but provide little insight. The 58-page instruction book is a complete disaster. Want to know how to steal? The manual will leave you bewildered! When you see at all those pages of tiny text and symbols, you'll wonder how it could possibly have any connection to such a simple, lighthearted game. The options screens are also cumbersome, and the "quick season" mode forced me to sift through dozens of pages of text and menus before tossing one pitch! 2K went a bit overboard with this game, but if you're looking for a casual contest against a friend, MLB Power Pros 2008 is tough to beat. Besides, how many other nine-inning baseball games can you play in under a half-hour? © Copyright 2008 The Video Game Critic.

When you graft Wii motion controls on top of Madden football, you get a game that's challenging and unique, but not very intuitive. In fact, the first time you play Madden 08 for the Wii, you'll probably think it royally sucks. The visuals are no better than the GameCube incarnations of Madden, and the new motion controls take a lot of getting used to. Let's face it - Madden was pretty complicated to begin with, and forcing you to swing your arms while playing doesn't help matters! Before hiking the ball you can hear the snap count through the controller's microphone, which is pretty cool. Hiking is done by pulling up on the controller, which is no problem at all. Unfortunately, any symbols displayed while calling audibles tend to linger on the screen after you hike the ball, obstructing your vision temporarily. Throwing the ball is performed using a real passing motion, but you'll also need to fiddle with buttons if you want to throw to a receiver other than the default. I wish you could just cycle through your receivers like you could in those old Tecmo Football games. To catch or defend a pass you have to quickly raise both arms. The passing game is a challenge, but I have to admit it feels extra satisfying when you complete a pass - probably because it's so much work! The running game is much easier, but jerking the controllers to perform jukes and stiff-arms takes practice to get the timing right. Be sure your Wii-mote is fully charged, because there's not much room for error in this game. I had problems navigating the play-calling screens, and sometimes had to call a time-out in order to get the play right. When playing against my friend Steve (who helped a lot with this review), I felt pretty silly flailing my arms around, and at one point began laughing hysterically. The graphics are minimal (the crowd is completely flat), but the excellent play-by-play features Al Michaels and John Madden - a huge upgrade from the droning "radio voice" of the 360. Otherwise, Madden 08 for the Wii is a pretty barebones package. Not only is there no half-time show, but you don't even get half-time statistics! When you challenge a play, the camera doesn't zoom in at all, making it impossible to see what transpired. Considering the unorthodox controls and lack of features, It's hard to recommend the Wii version of Madden if you own any other game console. © Copyright 2007 The Video Game Critic.

The Wii controller was designed with three basic movements in mind: Swinging a tennis racket, steering a car, and bashing some poor bastard's head into a toilet bowl. In Manhunt 2, you play the role of an escaped prisoner on the run, forced to use brutal tactics to subdue his pursuers. Like a low-budget slasher flick, the game isn't great but provides its share of visceral thrills. Your journey takes you into some grimy "red light" districts of town where you'll prowl dark, rainy alleys and damp basements. These areas and their muffled sound effects help convey a feeling of uneasiness not unlike the movie Seven. Much has been made of the game's violent content, and at least in this Wii version, I was wondering what all the fuss was about. Yes, you do sneak up on thugs and initiate brutal acts by pressing A. To carry out the carnage, you must performing a series of controller movements in response to on-screen prompts. But even so, the visuals are so obfuscated with effects that you can barely make out what's going on! The most explicit aspect of the violence is the "crunching" sound effects. The graphics are about PS2 quality, and the visuals are in fact purposely degraded with fake "interference" in order to make the game look grittier. The controls lack precision, but swinging a controller to punch is cool. Likewise, breaking some low-life's neck by swinging controllers is far more satisfying than merely pressing a button (although still less satisfying than doing it for real). Manhunt 2 is simple stealth fun, and the only items you really need to worry are things like axes, circular saws, plastic bags, hypodermic needles, and crossbows. The cut-scenes and stages are short - which is a good thing. Checkpoints are well spaced, and you can save your progress at any time. Unfortunately, you have to sit through the same cut-scenes whenever you repeat an area, and that's just aggravating. Why can't I skip these? The background story unfolds as you uncover your past, and it's more interesting than your typical stealth tale. I tend to be jaded when it comes to complicated stealth games like Metal Gear and Splinter Cell, but I found Manhunt 2's straightforward brand of mayhem appealing. © Copyright 2007 The Video Game Critic.

If you enjoy breathing air, you'll probably enjoy Mario Kart Wii. I doubt there's ever been another racer as inviting or readily enjoyable. Unlike Mario Kart Double Dash (GameCube, 2003), there's only one character per car, but there's a much wider selection of vehicles to choose from. Besides the standard karts, you can drive off-road four-by-fours, dragsters, stock cars, and motorcycles. The motorcycles are unique because they take up less space on the road and have the ability to execute "wheelies" for mini speed bursts. The game borrows some ideas from Mario Kart DS, like the view-obstructing squid ink attack and the inclusion of tracks from classic Mario Kart titles. If the old tracks give you a "been there, done that" feeling, rest assured the new tracks are amazing. I love the shopping mall's dual levels, escalators, and a bright, palm tree-lined parking lot. The mine-cart track is a virtual rollercoaster, and the snow courses feature mammoth half-pipes. A relaxing autumn stage lets you plow through leaves, and the wet-and-wild island track feels like a virtual water slide! The graphics are comparable to the GameCube, but close inspection reveals a lot of subtle details, like your character pumping his fist when one of his weapons hits. Playing solo is madly addictive and the raucous split-screen mode accommodates up to four players. I hear the on-line action is also superb. The motion-based controls are fantastic, providing the most precise steering ever. Although the included plastic steering wheel is not really necessary, it feels comfortable. Mario Kart Wii would have been an A+ title if Nintendo had shown a little restraint with the power-ups, which are far too ubiquitous. Not only are there item boxes along every stretch of road, but you typically get three items at a time! The trailing karts get the best power-ups, and the leader routinely gets pelted with multiple shells - sometimes going from first to last in two seconds. I was never a fan of the unavoidable purple shell, and that new "POW" block is an unwelcome addition. You feel obligated to immediately unload whatever you pick up just so you'll be able to collect the next batch. The squid ink attack is a neat concept, but it occurs too often. Maybe Nintendo went overboard in an attempt to distance this game from Double Dash. It's not perfect, but Mario Kart Wii is undeniably fun and has universal appeal. © Copyright 2008 The Video Game Critic.

Despite having been in decline over the past few years, the Mario Party franchise seems to have been reinvigorated by the Wii's innovative motion controls. The general formula remains the same, as players take turns moving around an elaborate "board" while engaging in mini-games and trying to collect the most stars. I love how each board looks and plays like a completely different game. On the pirate board you collect a star each time you reach the end of the path, but on the city board you must invest coins in hotels which gradually increase in "star value". Coins are used for other purposes as well, including buying "candy" that provides extra options like stealing coins or rolling an extra dice on your turn. But it's the mini-games that really steal the show, and that's how it should be. As everyone knows, the Wii's motion controls are well suited to mini-games, and Mario Party 8 makes the most of them. Whether turning the hands of a clock, navigating a river, shooting targets, or guiding an airplane through obstacles, most games tend to be easy and intuitive to play. Unfortunately, the one-on-three and two-on-two "team" games can be confusing, and should have been axed altogether. MP8's graphics are bright and inviting, with pleasant music and entertaining sound effects. I especially enjoyed the steel drum music of the pirate board, and how your character yells through that little speaker in your controller when it's your turn. Mario Party 8 is fun to play either solo or with friends. Even if you're losing, you'll want to stick around for the "closing ceremonies", since you might be awarded an unexpected "bonus" star that puts you over to the top! One obvious flaw with the game is its slow, plodding pace. You can blame the usual suspects: too many prompts, tedious spinning wheels, unnecessary "cute" animations, and inane, verbose dialogue ("Let's see you all do your best!") Even if you're only playing the 10-turn (short) contest against one person, it can still take over an hour! I can't even imagine playing 50 turns - you'd be playing all day! Had there been a "fast mode" to expedite the action, Mario Party 8 would probably be in "A" territory. © Copyright 2007 The Video Game Critic.

Despite the system's unbridled popularity, one could argue that the Wii hasn't had an outstanding game since Wii Sports. Enter Mario Strikers Charged. I was a bit lukewarm on the original Mario Strikers (GameCube, 2005), but Charged won me over from the start. Not only is the single-player mode incredibly addictive and fun, but the multi-player action is the most raucous I've played in years! Making use of the nun-chuck attachment, the control scheme incorporates motion controls without feeling forced or contrived. The thumbstick moves your player, and shaking the Wi-mote effectively clobbers a nearby opponent. These "checking" controls are a great idea, but overly-enthusiastic gamers might accidentally smack their other controller (or hand) in the midst of the mayhem (not that I would ever do something like that). During powered-up "mega-shots" on goal, pointing the controller at the screen allows a defender to move around a pair of hands to block the bombardment of incoming shots. Mario Strikers Charged looks like the GameCube version, but the action is far more chaotic thanks to a healthy supply of weapons and arena-specific obstacles that appear when you least expect. You can lose track of the ball when things get crazy, but you're not likely to lose track of your player since large "player numbers" are displayed over people-controlled characters. Your team is customizable this time around, so you can select teammates with specific physical attributes and skill sets. Team captains possess their own special abilities, but unless you choose an oversized character like Donkey Kong or Bowser, it can be hard to discern your captain from your teammates on the field. Each match only lasts for three minutes, but those are intense minutes! Of course, should you end up in a tight overtime contest, it's not unusual for the match to run over ten minutes. The excellent audio is also worth mentioning, with high-octane music that really gets the adrenaline flowing. That cheesy "elevator music" that plays during the pause screen is pretty funny. Mario Striker Charged is an extremely fun sports title in the tradition of NBA Jam and NFL Blitz. This proves that a Wii game doesn't have to totally rely on motion controls to be a hit. © Copyright 2007 The Video Game Critic.

The baseball portion of Wii Sports (Nintendo, 2006) showed a lot of potential, but Mario Super Sluggers fails miserably to capitalize on that promise. This game has too much nonsense and not enough baseball. Graphically this game is on par with Mario Superstar Baseball (GameCube, 2005). You can populate your roster with any number of Nintendo personalities, including obscure characters like Toadette, Monty Mole, and Blue Pianta. That "random roster" option really comes in handy! I was pretty excited about the game's motion controls, but they turned out to be a bust. Pitching, fielding, and batting can be done with controller movements, but the game is designed for short flicks - not realistic baseball motions. The controls terribly erratic, so your character will often begin his wind-up or swing before you're even ready! After a few innings of frustration you'll ditch the motion controls in favor of the old-fashioned sideways configuration (NES style). You'll be glad you did, because it makes the game 12 times better. But even with decent controls, Super Sluggers is a flawed baseball game. The close camera angles are not ideal for grounders, and by the time you locate your fielder, the ball has already rolled past. Runners take off on contact, so many fly balls lead to cheap double plays. There are entirely too many foul balls. Whatever you do, be sure you turn off the star pitches and error items. Not only are these dumb gimmicks irritating, but they're so plentiful that you can employ them constantly! At least the ballparks are interesting, including a palace with an ice-covered surface, a field set against an amusement park backdrop, and a jungle field with overgrown ruins. Each has unique hazards, including rolling barrels, green pipes, and moving glaciers. Super Sluggers lacks a manual instant replay feature, but automated replays and cute animations constantly disrupt the flow of the game. Is it really necessary for Peach to curtsy after every strikeout? Besides the exhibition mode, a separate adventure mode slowly introduces game concepts. The mini-games are pretty weak, and the Toy Field mode is a complete mess. There's no season mode, if you can believe that. Wow, Mario Superstar Baseball for the GameCube is looking better all the time! © Copyright 2009 The Video Game Critic.

Ever since Summer Games (Epyx, 1984) I've always had a "thing" for these multi-event, Olympic-style titles. In this case, the Sonic and Mario franchises provide a likeable roster of competitors, including Shadow, Knuckles, Tails, Peach, Yoshi, and Bowser. You can even play as your "Mii", who apparently has sprouted little arms and legs! The game is fun to play alone, but absolute gangbusters when played with three or four people. You can select from a series of "circuits" comprised of three events each, with the option to customize your own tournaments. Keeping the number of events small is a good idea, not only because it lets you play a quick game, but because some of these events will really wear you out! As expected, the Wii's motion controls add a new dimension to a genre formerly characterized by crazy button mashing. Running is performed by quickly alternating both hands up and down, which works great. During long-distance events, the game mercifully "locks in" your speed, functioning like cruise control. I love how the hammer throw requires you to twirl the controller around, but other events, like the javelin throw, are far less intuitive. Initiating jumps is done by raising the controller quickly, but until you've played the game a few times, it's hard to determine how much force is ideal. The swimming events require you to move your arms and press the B button at an even tempo. Table Tennis plays like a scaled-down version of Wii Sports Tennis, and is arguably more playable that Rockstar's recent full-blown Table Tennis game. As you might expect, the Wii excels at target-shooting events like skeet shooting and archery. A few events like trampoline and rowing require you to quickly react to button prompts on the screen. But the biggest surprise is the marathon events which resemble Sonic and the Secret Rings (Sega, 2007). Racing through exotic environments, you'll navigate around obstacles and employ power-ups like shells missiles to gain the upper hand. I found all of the events to be fun to some degree, but a few of the control schemes are more complicated than they need to be. "Powering up" before each sprint seems unnecessary, and clapping your hands to excite the crowd is just pointless. Even more annoying is the excessive number of superfluous screens you'll need to hit "A" to page through. Do we really need introductions before every event? How in the hell do I turn off these lame replays? Get on with the game already! Although most events clock in at less than five minutes, Ping Pong and Archery can easily run over a half-hour, wearing out their welcome in the process. Also, I wish the game would record world records based on initials instead of character names. Despite a few missteps however, Mario and Sonic at the Olympic Games offers competitive, fat-burning fun for the whole family. © Copyright 2007 The Video Game Critic.

As a gamer who loves the Winter Olympics, this should have been my dream game. Mario and Sonic at the Olympic Winter Games packs plenty of wintry competition, but its overbearing user interface is awful! The skiing, snowboarding, and ski jump events are just as I had hoped - fleshed-out versions of the mini-games in Wii Fit. The bobsleigh and skeleton events are amusing because you can control them by sitting on the balance board. At long last, I can finally say that I played a game with my ass! Hockey is chaotic but exciting in a Mario Strikers Charged (Wii, 2007) kind of way. The figure skating is a little silly (especially when your character is a gorilla), but hey, chicks dig that kind of stuff. Curling is slow-paced strategy game that's much different from the other events. The controls are generally intuitive, but you'd never know from the convoluted instruction screens. Each event has up to four sub-menus of instructions to wade through! The events tend to be short and sweet, but you're forced to page through endless set-up and results screens. Especially when playing with four players, you'll constantly yelling "press A somebody!" The game does make good use of the split-screen when playing against friends, but since certain characters have specific attributes (Sonic is extra fast, Donkey Kong is strong), one particular player often has a noticeable advantage. The CPU doesn't provide much of a challenge. The unlockable "dream events" should have been called "nightmare events". "Dream skiing" is reminiscent of those out-of-control Sonic Adventure stages where you whiz through loops and get bounced all over the place, and "dream ski jump" uses leftover scenery from Mario Galaxy. Not only do these over-the-top variations feel totally out of place, but they are not particularly fun. In addition to competing in individual events, you can participate in a 16-day "festival" mode that creates a full-scale tournament out of random events. This gives Winter Games plenty of replay value, and I like being able to save my progress at any time. Too bad you're forced to participate in all those super-easy "training" events. An obligatory "party mode" is also included, but its game-show format is painfully tedious. The balance board works extremely well, so why can't it be used in the multi-player or festival mode? Winter Games is one of those titles that only manages to be fun in spite of itself! © Copyright 2010 The Video Game Critic.

Few software companies are as adept at mishandling their flagship franchises as SNK. Metal Slug Anthology should be an easy A+, but SNK crippled it by incorporating hideous control schemes and an awkward user interface. Since 1996, the Metal Slug games have represented the pinnacle of 2D shooters, featuring insane destruction, fantastic artwork, edgy humor, and imaginative enemies and locales. One or two players are mercenaries in a side-scrolling journey against legions of soldiers and oversized mechanical weapons. Anthology contains all seven editions of the game, which is quite a value considering Metal Slug games typically sell for big bucks on Ebay. But sadly, SNK did everything in their power to taint what should have been every shooter fan's dream. First there's the issue of the controls. Metal Slug games were designed for a joystick and three buttons (jump, shoot, grenade). That shouldn't have been a problem for the Wii controller, but somebody at SNK insisted that the Wii motion controls be incorporated. Consequentially, four of the five control schemes are unplayable. The best one allows you to use the remote like an NES controller, but inexplicably you have to shake the controller to throw a grenade! For a shooter that requires precision and quick reflexes, that's not a good idea! You also have the option of using a GameCube controller, but that's a pain to hook up, and its digital pad isn't even supported! Next there's this business with "continues". The default is "unlimited continues", which is idiotic, considering a chimpanzee could finish these games with that on! You can switch to "limited continues", but instead of letting you specify the number of continues, it's based on difficulty level. On easy you get 30 continues, on normal you get 20, and on hard you get ten. While 20 is reasonable considering how fast you can burn through lives in these games, that still amounts to quite a long play session. Have the people running SNK ever played a Metal Slug game? Besides these user interface issues, the games themselves are outstanding. Some are better than others, but they all feature the same style of non-stop action and spectacular visuals effects. I've always loved Metal Slug, but it's a shame that a new generation of gamers will be introduced to it in such a shoddy package. © Copyright 2007 The Video Game Critic.

Corruption looks just like the previous Metroid Prime games for the GameCube, but its intuitive control scheme propels it to the next level. Using a system similar to Red Steel, you move using the joystick and look around by aiming with the Wii-mote. The first two Metroid Primes were hampered by a lousy targeting system, but the Wii's ability to aim directly at the screen provides a fine degree of precision you won't find on another system. Motion controls are also effectively used to manipulate keys, grapple from hooks, and even disarm enemies! Another novel feature is the abilitiy to control your ship remotely. Your mission requires you to travel between several planets as you disinfect "organic supercomputers" while fending off invading space pirates. A trio of fearsome aliens play key roles in the game, serving as valuable allies in early stages before becoming "corrupted". One looks like something from Aliens, another is a shape-shifter, and the third wears an intimidating mech suit. Metroid Prime 3 contains some breathtaking sequences, including a lengthy battle with a bird monster as you both plunge into an abyss (not unlike like Gandolf versus Balrog in Lord of the Rings). Like all Metroid games, you have the power to transform into a small metal ball to penetrate narrow openings. Corruption incorporates a lot of imaginative morph ball sequences that let you navigate tubes like a hamster while avoiding hazards like giant birds, hovering robots, and electrical changes. For its first two hours, Metroid Prime 3 is linear and maintains a break-neck pace that suggests a major departure from the first two games. Upon arriving on the planet Bryyo however, its gameplay reverts to the more traditional Prime style, with sprawling levels, considerable backtracking, and mind-bending puzzles that will have you reaching for the FAQ. Hardcore gamers will relish the game's ingenious complex design, but casual players may struggle to maintain interest. As with previous Metroid Primes, you can only save your progress in specific rooms (or your ship), and these are strategically placed throughout the levels. Prime 3's graphics are more illustrative than realistic, but the artistry is impressive, as are clever touches like the reflection of Samus on her specialty visors. Prime 3's soundtrack is more organic that its predecessors, including one stage's ominous chanting refrain that calls to mind Indiana Jones and the Temple of Doom. All in all, Metroid Prime 3 Corruption effectively reinvigorates the franchise with the best FPS controls around and the strongest storyline of the series. Those looking for a more cerebral brand of first-person shooting will be thrilled, but gamers geared more towards mindless "fragging" are in for a headache. © Copyright 2007 The Video Game Critic.

It's no prize, but Monster 4x4 World Circuit is at least more inspired than Ubisoft's insipid GT Pro racer. The problem is, the Wii already has an off-road racer (Excite Truck, Nintendo 2006) which absolutely kicks this one's ass in every which way. Monster's main mode is a series of contests over hilly dirt tracks in locations like Mount Rushmore, an Alaskan port, and a California amusement park. The game primarily focuses on racing monster trucks, but other oversized vehicles are available including a school bus and fire truck. Using the Wii remote to steer works well enough, and the plastic steering wheel attachment feels okay. The sense of speed is modest however, at least until you kick in your turbo by pushing the controller forward. Colored "stunt ramps" allow you to perform stunts for boosts, and these are executed with circular movements that initiate flips and spins. While fun to execute, these don't always register as well as you'd like. Barrels in the road become projectiles when you run into them, setting the trucks ahead on fire and slowing them to a crawl in the process. As you can imagine, these barrels are a major pain in the ass if you're in the lead. Monster's gameplay is not particularly exciting, partially due to its bland tracks. Heck, even the amusement park is devoid of personality. Certain tracks are also marred by ill-conceived flame-throwers which are nearly impossible to avoid (at least without a shield power-up). I was hoping the four-player split screen might redeem Monster 4x4, but its degraded graphics and lack of a map turned it into a muddled mess. My friends and I were ready to quit long before the races actually ended. As I pondered my last-place finish, my friend Scott asked, "Are you really surprised Dave? I mean, you were driving a freakin' school bus!" The single player mode might keep you occupied for a short period of time, but Monster 4x4 just seems pointless after a while. © Copyright 2007 The Video Game Critic.

Despite its unusual title, Mushroom Men is one of the least original games in recent memory, borrowing elements from every 3D platformer I've ever played. Fortunately it's so well constructed that only a jaded bastard like me would find much to complain about. You assume the role of Pax, a small mushroom forging his way through hazardous environments like a bathroom, garage, and back yard. Pax defends himself against spiders, moles, and rabbits by fashioning weapons using everyday items like batteries, thimbles, and toothpicks. Pax can pull himself up to high platforms via a sticky rope and glide down safely using his own cap head. One interesting twist is your ability to move and activate items using the Wii-mote pointer. You can even hurl certain oversized objects with a flick of the wrist! Mushroom Men's gameplay is very familiar but at least it avoids the common pratfalls that often mar platform titles. The stages are sized just right so you can explore them without feeling overwhelmed. Some puzzles are more interesting than usual (knock a fan onto a rabbit?!), but a few areas border on repetitive. Even so, when the action is in danger of becoming tedious, some new weapon or old-school-inspired mini-game will usually present itself. Mushroom Men makes minimal effort to position the camera, instead relinquishing control to the player. It sounds like a monumental cop-out, but it's nice not having to wrestle with the CPU, and being able to look straight up at the star-lit sky is refreshing. The state of your health is not determined by a meter, but by the number of chunks missing from your head! The difficulty is reasonable, checkpoints are frequent, and saves are automatic. Mushroom Men does falter in a few cases where you're forced to navigate tight spaces, in which case it's hard to see your surroundings and movement is frustrating. Also, shaking the controller to perform attacks is not very precise. The graphics are unspectacular, but the soft, oil-painted style is easy on the eyes. The background music has a whimsical but understated quality, and that's true of the game in general. Mushroom Men is cute without being childish, and quirky without being obnoxious. It's just a likeable little adventure that's suitable for all ages. © Copyright 2009 The Video Game Critic.

For years I've lamented how 2D titles have been relegated to portable systems and downloadables. As the popularity of classic gaming attests, the 2D style of play is still viable, and if anything, the games age better than their 3D counterparts. Finally Nintendo has relented and released a traditional 2D Super Mario game for the Wii - and they did it right. The understated visuals and toe-tapping music are consistent with the classic NES games - almost to a fault! The jump, bump, and pounce action is just as enjoyable as it's always been, with the turtles, fire-ball spewing flowers, beanstalks rising to the sky, and haunted house stages. You can even ride Yoshi! The cleverly designed stages are spiced up with interesting rotation effects, and the bright snow areas exude holiday cheer. New moves include the ability to throw objects and vault off of walls. New suits give you the ability to fly like a helicopter, slide like a penguin, or become tiny. Nintendo managed to incorporate motion controls without having them feel forced or contrived. Shaking the controller lets you "take off" with the propeller suit, and tilting the Wii-mote lets you adjust the angle of certain platforms. Finishing each stage is only moderately difficult, but the real challenge lies in collecting all of the star coins. One major new feature is the ability for four players to participate at once, but while it sounds great on paper, the characters tend to knock into each other, making it difficult to execute jumps. It's very chaotic and I really wish the players would "overlap" each other instead. Oh well, you don't throw away a Cadillac just because it has a dent in it! New Super Mario Bros. Wii proves that graphics are only screen-deep, but classic gameplay is timeless. The 3D Mario games were terrific, but Nintendo has finally given us what we've wanted all along. Take note Sega! © Copyright 2009 The Video Game Critic.

The first Nights (Saturn, 1997) was one of the more innovative titles for the system, developing a cult status over the years. Fans have waited an eternity for this sequel, but sometimes you need to be careful what you wish for. While Journey Into Dreams maintains the same magical, fairytale style of the original game, it's not nearly as fun. As in the first Nights, a kid-turned-fairy glides through wondrous 3D environments while flying through hoops and looping around foes. Although the action takes place on a 2D plane, a swinging camera conveys the depth and visual wonder of a rich fantasy world. In the original game your goal was to collect chips in a certain period of time, but in Journey you chase down birds to obtain keys. It's not nearly as fun, and your proximity to the bird seems controlled in large part by the CPU. There's a slew of bonus stages including a wild river ride, but your objectives are rarely clear. Journey Into Dreams is also guilty of an unnecessary, overwrought storyline, complete with cringe-worthy, unskippable cut-scenes. Instead of sensible dialogue, we get garbage like "It's the white Ideya! This is the purity that was missing from my heart!" Your dream world is populated with giggly "Nightopian" midgets, and these things are the worst idea since Ewoks! I wish very much for harm to come upon them all. The pinball-inspired boss stages feature creepy clowns, but these would be better if you could tell what was going on, as the camera has a mind of its own. Last but not least, the controls are terrible. Pointing a Wii-mote to "aim" your flying character is counter-intuitive and awkward. The classic controller fares slightly better, but the ridges around the thumbsticks limit the ability to fine-tune your angle. I finally settled on the GameCube controller, which also has ridges, but they are a bit less pronounced. The sad fact of the matter is, this game would have been better suited to the 360 or PS3. The scenery is colorful and pleasant, but not spectacular. The musical score offers a gentle, dreamy theme that blends well with the action on the screen. The game's design and user interface could have used some fine-tuning. It took me a while to realize the little book on the corner of the screen indicated my game was being saved. Would displaying the word "saving" have been too hard? Likewise, the obscure objectives and sometimes hard-to-read screen indicators make you wonder if Sega fired their entire Quality Assurance department. And you might as well forget about the headache-inducing two-player mode. After about 15 seconds, my friends exclaimed "Ugh! Turn this [expletive] thing off!" Not only does Journey Into Dreams fail to live up to expectations, but it calls into question the viability of the franchise as a whole. © Copyright 2008 The Video Game Critic.

Here's a mildly entertaining title that incorporates martial arts skills into a series of brief mini-games. Ironically, Ninja Reflex does not use the nun-chuck attachment, despite the fact that it does have a nun-chuck game! When played solo, your goal is to earn a series of colored belts while working your way through increasingly difficult challenges. The six basic game variations include shuriken (throwing star) tossing, katana (sword) fighting, and smashing fruit with nun-chucks. The other three variations focus on your reflexes as you catch flies with chopsticks (not as hard as it sounds!), pull fish from a pond with your bare hands, or catch lightning bugs. No challenge runs more than a minute, and many last just a few seconds. I found them all to be fairly enjoyable when taken in small doses - there's really not a dud in the bunch. If you're looking for some sophisticated swordplay however, you'll be disappointed with the katana game. Not only are you limited to simple blocking and slashing motions, but it's hard to get the side-blocks to register. Still, it's satisfying to slash your foes with the simple flick of the wrist. The graphics and audio are a pleasant surprise. Despite what the generic box cover would imply, each stage offers gorgeous views of traditional Asian villages with dense foliage and colorful flowers. The traditional string music is also effective. Ninja Reflex is shallow fun, and if you can pick it up cheap, it's not a bad way to spend a few hours. © Copyright 2008 The Video Game Critic.

A lot of game designers would prefer to be making movies, so they incorporate convoluted storylines, lengthy cut-scenes, and "adult" themes. They have it all wrong. The real key to a cinematic experience is style, and No More Heroes has style to burn. Using dramatic camera angles, quick-cut editing, stylized graphics, and immersive controls, No More Heroes manages to be remarkably cinematic without forsaking its video game identity. The protagonist is a young man named Travis Touchdown who's armed with a "beam katana" which looks a heck of a lot like a light saber. With his slim build and glasses, Travis is more of a techno-geek than a prototypical action hero, but that "everyman" quality is refreshing. His goal is to become the world's number one professional killer by working his way up the ranks, and the parallels to Quentin Tarantino's "Kill Bill" movies are unmistakable. The gameplay offers some exploration, a healthy dose of mini-games, and a truckload of sword-fighting mayhem. The visuals are more artistic than realistic, and the violence is way over-the-top - like the most brutal comic book you've ever seen. Initially I was concerned about using buttons to perform basic attacks (instead of motions), but my fears were short-lived. Orienting the Wii-mote lets you assume a high or low stance, and swinging the controller delivers devastating finishing blows, which are always punctuated by fountains of blood. I can't express how satisfying it is to decapitate a henchman or filet a thug with a simple flick of the wrist. Recharging your katana is done by shaking the Wii-mote in a fairly obscene manner, and considering the game's irreverent tone, I suspect that was by design. Between boss encounters you'll scour the city on your motorcycle looking for odd jobs so you can save enough cash for the next "entry fee". This is the weakest aspect of the game, as you're forced to play marginal mini-games that include cutting grass, pumping gas, and picking up trash. Yes, No More Heroes takes mundane chores to the next level! Whatever you do, do not blow your cash on upgrades like I did! The boss encounters are set in diverse locations including a subway, beach, school, and exotic mansion. Naturally, you'll first have to work your way through an army of henchmen who all look alike. These sequences tend to be repetitive, but there are a few surprises. In the stadium stage, enemies hurl baseballs which you can hit back at them by swinging the Wii-mote! Although a hack-and-slash fighter at heart, there's plenty of room for technique, including the ability to execute elaborate wrestling moves. The action on the screen gets pretty insane at times, and when Travis yells something crazy like "cranberry chocolate sundae!" that means you just got a power-up.

A quirky sense of humor pervades the entire game, and I like it a lot. Just before you meet each boss, your female advisor calls on your Wii-mote "cell phone" - very cool and quite imaginative! The boss battles themselves are sandwiched by brief but dramatic scenes that feature some outrageous (and utterly profane) dialogue. No More Heroes celebrates the fact that it's a video game with pixelated icons, old-school sound effects, and numerous classic game references. Even the fine electronic music soundtrack sounds like a throwback. It's not perfect, but No More Heroes is genuinely fun and one of the more memorable titles for the Wii. © Copyright 2008 The Video Game Critic.

To best describe this game, I'll take a line from ex-Ravens coach Brian Billick: "It is what it is". Onechanbara: Bikini Zombie Slayers is a preposterous beat-em-up pitting cute chicks in sexy costumes against legions of zombies. The 360 version of the game is an unapologetic button masher, so naturally this Wii version is an arm-shaker. In case you're wondering what the title means, "Onechan" is Japanese for "big/older sister and "Chanbara" means over-the-top samurai swordplay. Put them together and you get a potent mix of action and eye candy. You select from a stripper wearing some cowboy get-up, or her sister decked out in a schoolgirl uniform. The game begins in a subway station crawling with shambling ghouls. By shaking the Wii-mote repeatedly, you efficiently slice, dice and fillet ghouls as blood splatters and limbs fly. When you tear into a group of zombies, blurry motion effects kick in, and they are both satisfying and mesmerizing. New attacks and combos are unlocked as you progress, but the mindless beatings never end. You hack up one mob, and another sprouts from the ground to take their place. The fact that the instruction book is a paltry three pages in length says a lot about the depth of the gameplay. The graphics are fair, but to be honest, these babes look 100 times better in the Xbox 360 version. The endless shaking of the controllers took its toll on my wrist, but I found that moving my arm at the elbow was just as effective and less painful. A two-player mode is also included, but it's boring and feels tacked-on. Onechanbara is an oddball title, and I'm surprised it's even available stateside. If you're ever in the mood for bikinis, zombies, and slaying, you might find this entertaining in short doses. But you definitely have to be in the mood. © Copyright 2009 The Video Game Critic.

If you love pinball, this is the only game you really need for your Wii. Pinball Hall of Fame's replay value is simply tremendous. As a pinball machine owner, I'll be the first to admit that no video game can truly convey the experience of playing the real thing, but Pinball Hall of Fame comes remarkably close! Ten actual pinball games released from 1970 to 1990 have been precisely recreated here, retaining the colorful artwork, digitized music, and cheesy electronic voices. Best of all, they play just like the real thing, with lightning-fast action, precision controls, and realistic physics. This game is a perfect fit for the Wii controller tandem, letting you comfortably command one flipper with each hand. If you're new to pinball, be aware that the flipper buttons also rotate the rollover target lights. When it looks like your ball is about to drain, you can shake your controllers to "nudge" the machine. This comes so natural that I did it before I even realized it was a feature! The tables look good but not great. The Wii's limited resolution makes it hard to discern all the subtle details, but the game does a fine job of zooming in on the upper area of the table when necessary. I'd be very interested to see what this game would look like on the Xbox 360. Each table delivers a totally different experience. Themes range from fantasy (Black Knight, Gorgar, Sorcerer) to high tech (Space Shuttle, Pinbot, Firepower), to just plain quirky (Jive Time, Taxi, Fun House). Jime Time (1970) is a bit sparse, and Funhouse (1990) is cluttered with gadgets, but others like Gorgar, Sorcerer, and Black Knight strike a nice balance. High scores are recorded, but I really wish the best score was displayed as you were playing, so you'd know what to shoot for. You can play the games freely or try the addictive Williams Challenge mode which requires you to attain a minimal score on each machine. Also included are comprehensive instructions for each game, and you'd be surprised just how elaborate and sophisticated the rules can be. Even so, you can just dive into any of these tables and start having fun immediately. My friend George and I played this game for hours on end, moving from one table to the next. With a replay value that's through the stratosphere, Pinball Hall of Fame is a fantastic addition to any Wii collection. © Copyright 2008 The Video Game Critic.

Punch-Out first hit the arcades in 1984, and this modern version is remarkably faithful to it. Nintendo wisely preserved the traditional gameplay while adding more fighters, new control options, and enhanced graphics. I was mesmerized by this charming game as a kid, and guess what? I still am! You play the role of a young boxer named Little Mac who is working his way up the ranks. In the ring you view the action behind a semi-translucent Mac, giving you an optimal view of your wacky competitors. Punch-Out's gameplay is so simple and straightforward that there's not even a tutorial - how sweet is that? The motion controls are fully supported (including the balance board), but I always reverted to the "sideways Wii-mote" (NES) configuration - especially when my arms got tired. Most boxing games tend to be slugfests, but the key to Punch Out is studying your opponent's mannerisms and taking advantage when they let their guard down. It doesn't take long to pinpoint each fighter's strengths and weaknesses, but capitalizing on them requires excellent timing. The career mode lets you work your way through a series of increasingly difficult fighters of all nationalities. Your trainer is a hilarious fat black guy named Doc Louis with a fondness for chocolate bars. Besides providing comic relief, he offers useful advice between rounds. The memorable cast of fighters incorporates retains classic characters like Glass Joe, Von Kaiser, and Bald Bull. Each character is unique and colorful, making the fighters in other games seem bland by comparison. Although rendered with far more detail than the original Punch-Out, the fighters still maintain the same appealing, cartoonish style. There's a modest amount of damage modeling, mostly in the form of bruises and band-aids. The new head-to-head mode lets you compete against a friend on a split-screen. It's okay, but you can only play as Little Mac, and the controls feel a bit stiff and mechanical. Occasionally one player transforms into a Hulk-like "Giga Mac", adding a bit of intrigue. It's the single-player career mode however that will have you up until the wee hours of the morning. Punch-Out has a "one more time" quality few other games can match. © Copyright 2009 The Video Game Critic.

If you thought Rapala Fishing was lame on the Playstation 2, you might want to brace yourself for this wretched Wii edition. The Wii motion controls should make the game more involving, but instead it's just more confusing! The main menu presents several modes including free fishing, tournament, and arcade. You'll want to begin with the free fishing, because its sparse hints are the closest thing you'll get to a tutorial. During the loading process you're presented with a series of multiple-choice questions, like "On an average cast, how deep does a size 3 mini fat rap dive?" Where's the choice for "Who gives a [expletive]?" You can fish at many locations worldwide, but the scenery always looks grainy and unattractive. Clearly these graphics were ported directly over from the ugly PS2 version. Rapala's controls are terribly unresponsive, and even the simple act of casting the line feels totally wrong. Considering Sega perfected these motion controls seven years ago on the Dreamcast (with their fishing controller), Rapala has absolutely no excuse! As you move your lure around in the water hoping to attract a fish, the view is blurry and moving your rod jars the camera in a disorienting manner. Your fisherman is superimposed on the left side, making it look like you're having some kind of out-of-body redneck experience. Reeling in the line can be done by moving the nun-chuck attachment in a circular manner, but since you can just hold in the A button instead, what's the point? I do like how the reeling sound effect plays through the little speaker in your controller. These fish aren't shy, so it doesn't take long to get a bite. Once on your line, the fish typically provides zero resistance as you drag his scaly ass through about 50 feet of pixelated sludge. Once he approaches the boat however, that fish goes buck-wild! During the ensuing fight, the game instructs you to do stuff like releasing the line, despite the fact that it's never explained how to do that. The instruction manual assigns that function to the A button, but that's what I use to reel, so what the hell? Upon pulling in a catch, your fisherman raises and lowers the fish, only to have it disappear over his crotch! "Did that guy just stick a fish into his pants?" I asked my friend Scott. "Well Dave, it was a wide-mouthed bass, after all. You know what? That fish is al-right!" Rapala Tournament Fishing should have been a slam-dunk on the Wii, but it's just terrible. Will somebody please notify the Coast Guard about this horrible port? © Copyright 2007 The Video Game Critic.

The first Rapala game for the Wii was an unmitigated disaster, but this one feels more like a legitimate Wii title than a hasty PS2 port. Fishing Frenzy's box cover is deceptive, showing cartoonish characters and eager fish leaping from the water. In fact, Rapala takes a realistic approach and requires a little skill and a lot of patience. The action takes place in scenic lakes surrounded by dense foliage. Excellent natural sound effects and variable weather conditions (including pouring rain) greatly enhance the experience. The tournament mode offers a series of challenges like "catch three largemouth bass in 15 minutes". Rapala's controls are more complicated than they need to be, beginning with the casting, which requires you to push up on the thumbstick while making your casting motion. A nice underwater view of your bait reveals plantlife, rock formations, schools of fish, and the occasional sea snake. I like how the sun's rays penetrate the murky waters. You can adjust the camera using the d-pad, but the thumbstick would have made more sense considering you use the B button to reel. While waiting for a bite, you're sometimes prompted to "attract" the fish by making quick moves - rolling the thumbstick for example. The fish battles can be pretty lengthy, and the side-to-side tension meter doesn't feel very responsive. Occasionally you're asked to perform a series of special moves, like a twirl maneuver called "the time warp". I doubt real fisherman do that, but hey, it's a game. You can cruise around the lake in your boat, but the driving controls are anything but intuitive. Likewise, the menu system lacks basic information like a description of your bait or the fish you've caught so far. The commentator is normally low-key but occasionally chips in with a Marv Albert-like "YES!!" The challenges are timed, and it gets pretty intense as those final seconds tick away. The action stops abruptly when time runs out - even when a fight is in progress. Rapala's Fishing Frenzy didn't rock my world, but if you're up for a challenge, you'll find it here. Fishing enthusiasts can probably bump up the grade by a letter. © Copyright 2009 The Video Game Critic.

As a madcap collection of motion-controlled mini-games, Rayman Raving Rabbids was a surprise early hit for the Wii. The Rayman character originally appeared in a string of platform games in the 90's, and he's a likeable creature distinguished by his disembodied hands and feet (they float around him). In Raving Rabbids, Rayman is presented with a series of challenges, most of which incorporate an army of goofy-looking white bunnies. I'm pretty jaded when it comes to video game humor, but these psychotic rabbits make me smile - a lot! In addition to the good humor, Raving Rabbids offers a lot of variety. There are rhythm-based dance games, line-tracing challenges, and Olympic-style events like the hilarious "cow throw". You'll race on warthogs (the animals - not the jeeps), launch a bunny through the air (face first no less), and dash across an island at Sonic-like speeds. But the most memorable events involve firing plungers at rabbits-gone-wild in exotic locations like a beach and a Wild West town. These play like classic light-gun shooters, and it's really satisfying to nail one of those crazy rabbits square in the face. The graphics are simple but incorporate some amusing touches like rabbits wearing Splinter Cell-style goggles. Each game that's unlocked in the single-player mode becomes available in the multiplayer "score" mode, but the entertainment value is uneven. A few of the timed games are absolute torture, like the one where you need to slam shut the doors of four bathroom stalls as they slowly swing open. The motion controls in some games are erratic, and you could argue that the shape-tracing controls are altogether broken! This is also one of the only Wii games that complained about me sitting too far away from the television. In the final analysis, Rayman Raving Rabbids offers shallow fun with games you'll both love and hate. © Copyright 2008 The Video Game Critic.

Critics have been pretty rough on this Wii first-person shooter, but I suspect that's mainly due to it not living up to some very high expectations. Personally, I found Red Steel to be one of the more immersive, enjoyable first-person shooters in recent memory. The action begins with the hi-jacking of your hottie Asian fiance in a lavish hotel. Brief cut scenes are used to propel the dramatic narrative, but the real story is the controls. The Wii's remote/nunchuk combination makes aiming a gun, opening doors, and just sneaking around feel natural and effortless. Intuitive motion controls are used to push buttons, flip tables, and roll grenades with ease. With certain weapons, pushing the remote forward allows you to "zoom in", although this requires some practice. Your gun sight moves with a degree of accuracy comparable to a mouse, making it easy to zero in on each target. There's plenty of sniping action and strategically placed exploding barrels. One aspect of the game that disappointed critics was the Red Steel's sword-fighting action. If you're expecting your sword to move in sync with your controller, you'll be sorely disappointed. The swordfights feel totally staged, and the controls are very much "by the numbers", as you methodically block weak attacks, dodge strong ones, and quickly counter to strike your opponent. It's not nearly as natural as the gunplay, but still challenging and intense (although somewhat cheap in later stages). Even the gun aiming controls tend to suffer in advanced stages when the action gets hectic. Red Steel is forgiving though, with a Halo-style health meter that fully recharges if you can remain out of harm's way for a few seconds. Despite what the title would insinuate, there is no blood in this game. The graphics are decided low-resolution compared to other recent first-person shooters, but I still enjoyed the Japanese settings and attention to detail. Yes, there are boring locations like factories and warehouses, but also imaginative areas like dance clubs, massage parlors, a working car wash, and a fun house. I really enjoyed riding the conveyer belts during factory shootouts. Red Steel's musical score is terrific, and I love how it picks up the tempo during critical confrontations. Topping it all off is a nice four-player split-screen mode. Red Steel may not have lived up to its lofty expectations, but judging it for what it is, I'd have to say that it's a lot of fun. © Copyright 2007 The Video Game Critic.

Originally released for the GameCube in 2004, Resident Evil 4 (RE4) was universally acclaimed and is widely regarded as the greatest survival horror game ever conceived. Set in an isolated European countryside, this imaginative adventure oozes with atmosphere and tosses out surprises at every turn. The game begins in a dilapidated house in a wooded area, calling to mind films like Texas Chainsaw Massacre and The Blair Witch Project. Later you'll explore an old church in a graveyard, engage in a shootout on ski lift, ride a high-speed mine-cart, and have a boat encounter reminiscent of the film Jaws. RE4's pacing and difficulty are dead-on, with frequent checkpoints and strategically-placed typewriters to save your progress. Its controls are a compromise between a first-person and third-person shooting perspective, offering an "over the shoulder" view. Except for a few minor bonus missions, this Wii edition is almost an carbon copy of the GameCube version, with no perceivable graphical or audio upgrades. The only difference is the Wii's motion controls, which have been grafted onto the game in a rather clumsy manner. Especially after experiencing the comfortable controls of Metroid Prime 3, I found RE4's to be awkward and remarkably non-intuitive! Being able to aim directly at the screen is nice, but everything else takes time to grasp. To look around, you hold in the B button on Wii-mote while moving the joystick on the nun-chuck, and I often found myself staring at the sky as some madman was slicing into my flesh. While aiming, the camera "zooms in" a bit, effectively obstructing the left side of the screen with your character's head. Even navigating the map and item screens feels clumsy. I guess Resident Evil 4 Wii Edition serves its purpose as a port of the classic game, but I would hardly regard this as an upgrade. Those who never played the original can bump up the grade by a letter, but those who experienced the GameCube version will find themselves wondering what the point of this is (to make more money, silly rabbit!). © Copyright 2007 The Video Game Critic.

It's amazing how Capcom managed to botch this up. Umbrella Chronicles is basically a light-gun shooter that takes you on a whirlwind tour of older Resident Evil (RE) games beginning from RE0 and leading up to RE4. Consequentially, the game reuses a lot of the code from the GameCube RE remakes. Your character moves automatically as you blast the hell out of zombies, dogs, apes, and other converging creatures. Weapons, ammo, and grenades are scattered about, and can often be revealed by blasting scenery. The crosshair controls are quite responsive, providing excellent aim with minimal lag. You can shake your Wii-mote to repel zombies or wield a knife. At first glance, Umbrella Chronicles seems like a dream come true for Resident Evil fans, with its straightforward gameplay, precision controls, and rich visuals. But the game is not as fun as you would expect, for a variety of reasons. For one thing, the first chapter (based on Resident Evil 0) is infested with leaping slugs, whose only purpose seems to be to aggravate the hell out of you. Countless in number and continually cluttering up the screen, these things alone should cost the game a letter grade. Next, monsters can absorb an inordinate number of shots. Even the weakest zombies will keep coming after taking several shots to the face at point-blank range! Don't even get me started about the bosses, who consume bullets like they're Doritos. At one point the game told me to shoot some shapeless boss in the mouth, and I couldn't even tell where its [expletive] mouth was! Unlike Sega's House of the Dead games which offer fast, arcade-style carnage, Chronicles tends to be slow going, and the action is constantly interrupted by load screens, dull cut-scenes, and checkpoints. Dying often forces you to repeat a large chunk of the game. Even the two-player simultaneous mode is lousy. I like the idea of both players sharing a health meter, but it's really easy to get those crosshairs mixed up considering they're both glowing red half of the time! The Umbrella Chronicles should have been a joyride of a game, but it didn't take long for me to grow weary of this. © Copyright 2008 The Video Game Critic.

This game is easy to overlook thanks to a generic cover that screams "Hey look - I'm a tedious puzzle game!" Loosely based on the popular puzzle cube of the 1980's, Rubik's World takes a "throw everything against the wall and hope something sticks" approach. There are eight brain-teasing game variations, but it's the addictive "Deconstruct" mode that makes this package worthwhile. In this block-tossing game you and friends take turns knocking down piles of blocks for points, and if you think that sounds a lot like Boom Blox (Wii, 2008), well, you're right! The main difference is that you just press a button to throw instead of making a throwing motion. I was really hooked on this for a while, although my friends noted how it's sometimes hard to see where you're aiming. Another interesting variation is "Guide", which calls to mind ChuChu Rocket (Dreamcast, 2000). In this one you place directional tiles on a platform in order to direct rolling cubes toward an exit. The "Switch" and "Fit" variations let you swap and reposition blocks to solve puzzles, but I found these to be only mildly amusing. The "View" variation is downright tedious as you try to create a stack that looks different from various angles. "Create" and "Compose" let you build stuff or create music, but I really didn't see the point of either one. It goes without saying that there's a Rubik's Cube mode that lets you manipulate a 3D cube in a futile attempt to make all of its sides a solid color. The motion controls work fine, but if you really want to tackle this monumental challenge, you may want to just break down and buy a real Rubik's Cube. Rubik's World features realistic physics, intuitive controls, soothing synthesized music, and a clean user interface. Each variation offers a series of progressively difficult levels, beginning with "starter" levels that help you get the basics down. Rubik's World isn't a standout title by any means, but if you're a gamer looking for a cerebral challenge, you may want to bump the grade up by a letter. © Copyright 2008 The Video Game Critic.